I thought it best to list a few examples of similar work to help describe the direction my current project is going in.
INsideOut - Claudia Robles - Germany 2009
The performer, who is surrounded by sound and images, interacts with them using an EEG (electroencephalogram) interface, which measures the performer’s brain activity. Those sounds and images -already stored in the computer- are modified consequently by the brain data via MAX/MSP-Jitter. Hence, the performer determines how those combinations will be revealed to the audience. Images are projected to a screen and also onto the performer, while sounds are projected in surround.

Empathizer - RobotLab - 2000
Linking human brain and robot
The installation 'empathizer' gave visitors the opportunity to experience an extreme interconnection between man and machine. The experimental environment consists of two industrial robots and a brain interface by which the visitors can connect with the machines.
Brain voltages are measured and analyzed. Then the data is forwarded to the robot control units. The image of the brain signals is projected on the robots. They give a representation of the data through their movements and always perform new and individual configurations - interaction without physical action.

Terrain01 - Ulrike Gabriel - 1993
The interactive AL-installation consists of cybernetic vehicles. the movements of the active 'life' depends entirely on the intensity of the light being projected onto the colony of robots. A brainwave sensor, placed on the head of the interactant, measures his or her brain activity, which is then sent to the system and controls, in turn, governs the intensity of the projected light. The more intense or erratic the viewer's brain activity, the less light strikes the robots and the more apathetic the behavior of the colony; or the weaker the brain impulses (the more relaxed the viewer), the more chaotic the movements of the robot colony become ...

Thought Conductor - Bruce Gilchrist et al. 1997-2001 various versions
Thought Conductor was inspired by the notion: what could have occupied the mind of the musician David Tudor when he performed John Cage's silent composition 4'33"? In reality he would have been preoccupied with keeping track of time, but this led to the idea of a musical performance where musicians are responding not to an arranged score, but instead to a direct manifestation of a conductor's thought processes on stage. For the Thought Conductorperformances, passages of musical notation remixed from the contents of a database were called up in the real time of the performance. "...score and sound aquire an immediacy which is characteristic of neuroscientific imaging in general, but which in this specific context lends new meaning to the notion of a 'live' performance. It is tempting therefore to suggest that Thought Conductor is a techno-scientific portrait that captures the inner kinetic melody of the individual who sits at its centre..."
Mariam Fraser, excerpt from abstract for Making Music Matter.

For the OX1 Festival the database archive made from the Oslo based composers was supplemented with The EEG files and notations from six Oxford based composers. The same procedures were followed. For the performance at the Hollywell Music Rooms several members of the festival audience participated. Again they were invited on stage, connected to the biomonitor and asked to engage in creative thought: an origami enthusiast recollected making a paper lotus flower; an accountant thought about a financial projection for a board of directors; a journalist recalled her last piece of arts criticism; an academic contemplated his tie...
Brainwaves and Plants - Miya Masaoka - 2002
This one is particularly odd
Presented as part of Lincoln Center Out of Doors, Homemade Instrument Day in New York, Pieces for Plants is an interactive sound installation for laptop, synthesizer, and the American semi-tropical climbing Philodendron. Versions of the piece have also been presented in a musical setting in which the plant participates as a member and soloist within an instrumental ensemble.
In the piece, a plant’s real-time responses to its physical environment are translated to sound. Highly sensitive electrodes are attached to the leaves of the plant. Scored movements by a human “plant player” stimulate physiological responses in the plant that are monitored via the electrodes and biofeedback wave analysis. The “plant player’s ” proximity, touch and interactions with the plant are then expressed in sound via midi and synthesizer. During the piece, the plant is brought to a range of physical/psychological states, from calm to agitation.
